Pole Dance Athletes Look for Credibility at the USPDF Championships

Amateur USPDF Competitor Tracee Kafer

Yesterday afternoon and evening, 20 women competed in the fourth annual US Pole Dancing Federation Championships, Amateur and Pro Divisions, held in NYC at Symphony Space. Don't you dare confuse these women with strippers or exotic dancers (despite the sparkly, revealing outfits, and high heels). They may be beauty bombshells, but they are seasoned athletes, gymnasts, dancers, and performers, and they are full of creative talent. Pole dancing is a sport that has only recently begun to gain popularity, both internationally and within the US, while also taking the city by storm as the latest fitness craze. Currently, there is even a controversial discussion going on about whether or not pole dancing should be accepted as an official Olympic sport.

The USPDF Championship event offered just one more place where these athletes can demonstrate the art they have worked hard to master, and gain some credibility for themselves in the process. Challenging moves, tricks and combinations on the pole require flexibility, stamina and endurance, not to mention some kick-ass arm strength. Just like in yoga, every move has a name -- such as the "Peter Pan Spin" or the "Firefly Spin." Enter "pole dancing" into the search box on You Tube to find these and other examples. Experienced pole dancers, such as USPDF judge and guest performer, Jenyne Butterfly, admittedly have You Tube to thank, in part, for the recent rise in popularity and acceptance of their sport. Butterfly, a pioneer in pole dancing for sport, won the first USPDF Championship, in 2009, and has performed as an aerialist, dancer and actress in the recent movie musical adaptation of "Rock of Ages," as well as on tour with Cirque du Soleil.

Both divisions of the 2012 USPDF Championships featured a compulsory round and an "optional" round. During compulsory rounds, athletes had 90 seconds to perform a routine incorporating both pole and floor work, and were judged based on factors such as flexibility and extension, difficulty of routine, and overall performance. During the optional rounds, judges placed more emphasis on difficulty, and looked for performers to really let their personal style shine with their respective choreography. Many of the women performed the optional rounds barefoot, forgoing customary stilettos.

During the Amateur Division, serious spinning gave way to graceful movements that played out like a ballet. Sarah Jade, owner and lead instructor of Buttercup Pole Dance Fitness Studio in Tampa, Florida, owned the pole with original, challenging moves that kept the audience completely fixated on her, and she won overall second place in the competition. The overall first place winner, who also won the Amateur optional round, was Sergia Louise Anderson. Anderson, an NYU-trained actress when she's not pole dancing, and currently a principal cast member on The Girl Next Door, was captivating and fluid on the pole. She certainly earned her titles, which will be her ticket to the Pro Division next year, should she choose to compete again (performers must place in the Amateur Division before they can enter the competition as a "Pro").

Surprisingly, no Amateur awards went to Los Angeles pole instructor, Jennifer Kim, whose creative routines were sexy, thrilling, and breathtaking. During the compulsory round, Kim emerged in red stilettos, and spun around to a French version of "These Boots are Made for Walking," demonstrating highly difficult combinations that demanded attention.

WGINY was unable to attend the Pro Division competitions, so you'll have to follow USPDF for updates on the final winners of the Championship this year. Keep an eye on these athletes as pole dancers continue to rise up in revolution (pun intended) as aerial performers.

Feed Your Sweet Tooth at Swedish Sensation, Sockerbit.

If you crave candy, and you haven't stopped by Sockerbit yet, then you are missing out. With a tagline like "Sweet and Swedish," how you can resist stopping in this West Village candy shop, the only one of its kind in the city? Every single sweet piece at Sockerbit is imported directly from Sweden, and there are no additives of any kind allowed. This is just about as natural as candy can be, and yet, it is quite addictive!

"Sockrade hjärtan" (aka sugar-coated raspberry hearts) may melt your heart, while "icemint toppar"  (sugary mint jellies) remain cooly refreshing. Mix and match these and other candy combinations ranging from sour to sweet, chocolate to marshmallow (or chocolate and marshmallow), hard candies, and licorice, and all for only $3.25 per 1/4 pound.

Perhaps the greatest find at Sockerbit, and one of my all-time favorite sweets, is the "chokladnallar." Described as vanilla marshmallows dipped in milk chocolate, but more recognizable as chocolate-covered gummy bears, this hard-to-find delicacy blends the perfect proportion of chewy and chocolate, and just one small teddy bear morsel sends sweet chills down my spine.

Sockerbit, located at 89 Christopher Street (just East of Bleecker St), and open until 8pm on weekdays, and 9pm on Fridays and Saturdays, is a must-visit for any West Village outing. Don't have time to get to the store? Order online here.

Richard Sandoval's FOUR at YOTEL Redefines Boozy Brunch.

The Terrace at FOUR

For over a year now, chic hotel, YOTEL, has been redefining boozy brunch at its restaurant, FOUR, a brainchild of celebrity chef, Richard Sandoval. On Saturdays and Sundays, between 11am and 3pm, FOUR draws a vibrant crowd for its $40, all you can eat, all you can drink, brunch. A live DJ pumps out hip tunes on the large rooftop terrace, where young professionals, hipsters and fashionistas gather to enjoy good food, good company, and great views of NYC.

Unlike your run of the mill weekend brunch, where some pancake or waffle dish might be the main event, Sandoval's FOUR expands the notion of brunch into an all day affair (even though groups are technically only allowed to place their unlimited food and drink orders for two hours). With a menu that includes sliders, salads, sushi, meatballs, fried rice, general tso's chicken, and even Mexican chilaquiles, served with nachos, in addition to four different types of scrambled eggs, pineapple french toast, and three different bacon-infused dishes, Sandoval draws on Latin, Pan-Asian, and American flavors to create dishes that can be enjoyed throughout the morning or afternoon. All groups dining during brunch hours must participate in the $40 deal, but the "free-flowing cocktails" and unlimited small plates are sure to fill happy customers' bellies, and chances are you won't want to eat another meal all day.

Choose from unlimited bloody marys, mimosas, or sangria. Mix and match cocktails during your meal, or, if you have a large group, ask the waiter to leave a pitcher or two. Unsurprisingly, it's easy to over order at FOUR, so parties are asked not to request more than one dish per person at a time, though all plates are served to share, and it's impossible to leave hungry. Make sure to also keep your waiter on his or her toes when ordering small plates, as service can get slow during the busy brunch hours. WGINY recommends starting light with some eggs and salad plates, before moving onto the meatier hot plates. Skip the bland, underdone cod sliders, but don't miss the herbed house-ground meatballs or the addictive bacon rosemary french fries.

YOTEL is located just two blocks from Times Square, at 570 Tenth Avenue, off of W. 42nd Street. Reservations can't be made for terrace dining, but you're still better off having one than not.

Go "Into the Woods" at Central Park.

It’s almost the last midnight for The Public Theater’s free presentation of Stephen Sondeim’s classic fairytale-gone-bad musical, “Into the Woods,” currently playing at the Delacorte Theater in Central Park.  Although the Delacorte Theater has played host to free Shakespeare performances every summer, during the annual “Shakespeare in the Park” series, this is the first year that the theatre has also hosted a free Sondheim show.

Despite being completely free (although it is possible to score tickets by making a large arts donation…), Shakespeare (and now Sondheim) in the Park is annually one of the most difficult shows to get tickets too.  Would-be patrons generally must either be on line by 6am on a performance day, and wait until the box office opens at 1pm, with the hope of getting tickets for that evening’s 8pm performance, or take their chance at virtual ticketing, an online lottery that rarely seems to pay out. There are also a few other way to get tickets, but at the risk of giving away a long guarded secret, I am loathe to post that information publicly here.  Feel free to e-mail WGINY if you want more info, but act quickly as the show closes Labor Day weekend, with the last show on September 1. 

I first heard of Sondheim’s musical, “Into the Woods,” when I was a teenager, taking an acting class at my high school, and I immediately fell in love with the story, and especially with Bernadette Peters, in one of her most recognizable and challenging roles, as the “Witch.” I did not think that any actress could rival Peters’ talent, but I must admit that I was captivated by actress Donna Murphy’s portrayal of the Witch in this limited engagement show, and in her malevolent wisdom, she may have rivaled Bernadette's original performance... 

Although slated to begin at 8pm, the show actually started around 8:10pm, giving patrons the opportunity to find their seats, use the restroom, and generally arrive a few minutes late.  There did not appear to be any bad seats in the theater. The set design was simple, utilizing the natural surroundings of the park to build a forest scene that may very well have been the same woods used in Shakespeare’s “As You Like It” (which WGINY did not have the opportunity to see, but which was put on by the Public Theater at the Delacorte Theater earlier this summer). No pictures were allowed in the theater, but I should add that the designers did a superbly quirky job of juxtaposing the set and costumes together (take notice, for example, how the "Giant" appears, voiced by Glenn Close).

For patrons with hearing impairments, the play's dialogue was presented on two screens on either side of the theater in closed caption.  I appreciated this, and found myself following the captions at times just to be clear on Sondheim’s creative song lyrics.  In fact, being familiar with the show, I found it hard to contain my desire to sing along, but found that the audience was quiet and contemplative throughout the show.

Sondheim’s play is full of comic musings and double entendre, and is as much a fairytale for children as for adults.  My one qualm with this adapation was the young child cast as the narrator.  I am ingrained to expect a Dick Clark type in the narrator’s role, an older gentleman who can double as the “Mysterious Man” character (who, in this rendition, turns out to be played by Chip Zien, who portrayed the “Baker” in the original Sondheim show on Broadway). While I understood the whimsical aspect of casting a child in the narrator role, I felt it was misplaced for this show.

There were also some over-exaggerated sexual undertones throughout the show, such as between Little Red Riding Hood (played by the adorably snarky Sarah Stiles) and her Wolf (portrayed by Ivan Hernandez, who plays the role like a capricious, mischievous "Jack Sparrow"), but overall the show was true to its roots.  Actress Amy Adams breathed a young, sweet life into the play as the Baker's Wife, and her counterpart, played by Denis O'Hare, captured the audience as the tragic protagonist, the Baker. 

Exploring wishes, desires, fantasies, selfishness, selflessness, and other motifs, "Into the Woods" finds itself full of moral dilemmas, conundrums and other parables, leaves the audience with some enigmatic conclusions: "If the end is right, it justifies the beans," and "Sometimes the things you most wish for are not to be touched."  

WGINY Reader Tip: Want to meet the actors? Head to Gate 1 right after the curtain call and many of the actors will come out to greet you, and may even agree to sign autographs and pose for pictures. 

Watch the Sun Set Over New York City, From Your "Manhattan Kayak"

The New York City skyline, lit up against the backdrop of a night sky, is a familiar, iconic scene, but you've never seen it like this... Normally, I would insert the obligatory picture here, but I didn't have my waterproof camera that day (okay, actually, I don't own a waterproof camera). By "that day," I am referring to a recent dusky evening, on which I had the adventurous pleasure of embarking on a "New York After Dark Tour" with Manhattan Kayak Company.

Joining a tour of approximately 12 people, we were each given a life vest and a paddle, received some brief paddling instructions on the dock, and then boarded our sit-upon kayaks one by one. Then two experienced guides accompanied our group as we paddled up and down the Hudson River for a little over an hour. Each kayak was equipped with a small back lamp, which the guides turned on as the sun turned down.

Pausing to take in my surreal surroundings, I was mesmerized by the sky, as remaining blue patches began to swirl above my head, mixing with marigold, mauve, rose and red-orange, like a painter's palate. Words cannot capture the magnificent image of the setting sun descending behind the skyscrapers, as we literally watched a New York night begin to come alive and vibrant. The natural light of the day faded out and the glimmer of the city shone bright with electrical buzz, and all the while I sat in the middle of it all.

Splashing around in my kayak, sitting on a body of water separating two states, my favorite view was, perhaps surprisingly, the southwest exposure of the sky over Jersey City. The further south one looked, the more open the water became, and toward the west, of course, was where the last remaining colors of the sun could be glimpsed the longest. Although we did paddle somewhat "after dark," the tour might more aptly be named something like "Sunset Over New York Tour."

I purchased my tour via bloomspot for under $40, and I have also seen Manhattan Kayak offer a similar voucher on zozi. At that price, the tour is well worth it. The normal price tag is $80 per person, which begins to feel a bit overpriced considering the length of the trip.

Manhattan Kayak does offer a 90 minute Full Moon Tour, when appropriate, for only $65, and a daily 45 minute "Fun in the Sun Tour" for $40, which runs twice on weekdays, and four times a day on weekends. Check out their calendar for these and other trips, and make sure to read the descriptions to choose the appropriate trip for your skill level (beginner, intermediate, advanced).

WGINY Reader Tip: If you've never kayaked before, try getting your feet wet first, for free, by stopping by an introductory kayak class with the The New York City Downtown Boathouse (not affiliated with Manhattan Kayak), offered on Wednesday evenings at Pier 96, or taking out one of the Boathouse's free kayaks for a quick (only 20 minutes allowed) early evening or weekend paddle.

Sarge's Deli: A Kosher-Style Staple That Rivals Trendier Counterparts.

Photo by Meredith V.

Photo by Meredith V.

When I was growing up, whenever anything was ailing me, my mother would serve me matzo ball soup from the local kosher-style deli.  "Jewish penicillin" we called it.  My mouth still waters whenever I recall those comforting soup bowls.  In fact, anytime I see mazto ball soup on a restaurant menu, my endorphins immediately enter hyperdrive.  So when I decided to try a local Murray Hill staple, Sarge's Delicatessen and Restaurant (for the first time, although it has been a neighborhood favorite since 1964), I was delighted to see matzo ball soup on the menu.

Photo by WGINY

Upon first walking into Sarge's, pass by the large butcher-shop style counter in the front, and head towards the dining area in the back, where you will find a pleasing arrangement of free starters waiting for you at your table.  While most delis give just cole slaw, pickles and rye bread, Sarge's steps it up a "nosh," and includes a complimentary side of freshly made chopped liver.  My dining companion and I devoured the liver, which was uniquely mixed with chopped hard-boiled egg and a hint of blended spices.  

Next up was the matzo ball soup, that warm broth from my youth which is hard to replicate, but Sarge's did a fine job.  I must admit I was initially disappointed by the nakedness of the soup-- no noodles, vegetables or poultry-- but I still savored every drop and enjoyed the perfectly packed matzo ball.  Moving on to the main courses, Sarge's truly serves up some monster sandwiches!  (True story: there is even a sandwich on the menu called "The Monster"!).  One sandwich is definitely enough for two people to share, and if you decide to dine alone, you may want to opt for the more economical "soup and 1/2 sandwich" option, self-explanatory.  We had the opportunity to try both turkey and corned beef, and I would highly recommend either, or any of the combination sandwiches offered.  

Don't be fooled by the no-frills diner atmosphere of Sarge's, the fact that the tables around you may be full of local senior citizens rather than hip tourists, or the lack of celebrity photos on the wall... this is a solid dining establishment that can certainly rival the likes of the trendier Katz's and Carnegie Deli, and with much more reasonable prices.  

Sarge's Delicatessen and Restaurant is open 24 hours a day, 7 days a week, and is located at 548 3rd Avenue, between E. 36th and E. 37th Streets. Sarge's also delivers throughout Manhattan, and offers a catering menu for large parties.

Curious about NASA's Mars Rover, "Curiosity"?

This Sunday night (or, very early Monday morning for East Coasters) will mark the long-awaiting landing of NASA's Mars Science Laboratory, "Curiosity" on the surface of this mysterious Red Planet. "Curiosity" is expected to touch down at exactly 1:31 a.m., EDT, August 6, for a two year expedition to explore the Martian surface and look for signs of life (past or present), beginning with the Gale Crater, believed to once have been a water-filled lake, and serving as the "landing pad" for this historic mission.  As the most advanced Rover ever to land on Mars, curiosity is abound for what "Curiosity" might find and photograph for us mere Earthlings.

Apparently, Times Square will play host to the largest viewing event on the East Coast, as New Yorkers and tourists will converge and watch the landing live on the same big screens that New Year's Eve revelers follow when they come annually to countdown the famous ball drop.  Viewers at Times Square will be privy to live feed directly from NASA's Jet Propulsion Laboratory in Pasadena, California.

Flyer courtesy of DXagency

If you can't make it to Times Square, you can still watch the feed live from your own computer, via NASA's own website, or through Toshiba Innovation.  You can also listen to live coverage via NASA's first online space (radio) station, Third Rock Radio (which may be my new favorite radio station).  This will be NASA's first national "social media" event, virtually bringing together seven participating NASA field centers around the country.

If you want a more intimate viewing experience, fly on over to a landing parties at East Village bar, Professor Thom's, or New Jersey's William Patterson University (the latter accessible only by car).

Still feeling curious? Check out space.com's article about why we continue to return to the Red Planet, and view some of the Hubble Space Telescope's most majestic pictures of Mars at weather.com.

Follow WGINY on facebook for an exclusive opportunity to read some "fan fiction" about the rover's landing. 

Thanks to DXagency and Toshiba Innovation for providing information on the rover's mission, the Times Square viewing event, and NASA's live feeds. 

Catch Musical Parody "Triassic Parq" at the SoHo Playhouse Before It Becomes Extinct!

It's a play 65 million years in the making.  If you're thinking about "Dino DNA," you're following the right tracks, but this story wasn't authorized by Michael Crichton or Steven Spielberg, as the show's narrator, Morgan Freeman, explains. Rather, "Triassic Parq" is a rapturous hour-and-a-half of creative, low-budget musical parody theater, and it's only showing (for now), through August 5, at the SoHo Playhouse.  Read on to find out why you should try to catch these dinosaurs in action lest they disappear forever (again).

Audience members enter a small, 200-seat theater adorned with jungle vines and "electric" fencing (to keep the dinosaurs at bay, of course), as the soothing sounds of roaring dinos, chirping birds and other natural melodies fill the air.  The story begins with a bang, literally, and a crucial climactic scene is revealed with the opening number, "Velociraptor in a Cage (Velociraptor Full of Rage)."  The audience is left wondering what it all means, as the story backs up, and we learn that the "Q" in "Triassic Parq" stands for "question" (and, undoubtedly, and not even very subtly, queer and/or questioning).  "Triassic Parq" indeed examines some tough questions, such as whether faith and science can co-exist, and whether scorned lovers can overcome the "true weapon of mass destruction...emotion."

Imagine a man-made fairy tale park, on an island off the coast of Costa Rica, where visitors can view real, live dinosaurs such as velociraptors and tyrannosaurus rex.  The island's electric fences are the only thing separating the vicious beasts from the public, who are driven by in SUVs on dinosaur tours of the park.  Behind those fences, dinosaur pastor, Velociraptor of Faith (played by Wade McCollum), ensures that his dinosaur clan honors their creator, "Lab," and does not step too far out of line by asking too many questions about their origin.  Velociraptor of Faith makes it clear that his leadership, and the clan's faith in "Lab," should not be challenged.

Unbeknownst to the dinosaurs living on the island, the human scientists of "Lab" were careful as could be when they cloned the dinosaurs from DNA extracted from ancient mosquitoes, mixed with a just a small amount of modern frog DNA to complete the scientific process.  In order to control the population, only female dinosaurs were created.  However, as Morgan Freeman explains, "life finds a way."

Thus, hilarity, disharmony and chaos ensue when a female T-Rex suddenly discovers that she has grown an extra appendage, of sorts, and her mind, emotions and desires begin to change along with her (his? its?) body.  When Velociraptor of Innocence (played perfectly coyly by Alex Wyse) begins to ask too many questions, she is forced into the forest, on a soul-searching journey to find Velociraptor of Faith's sister, Velociraptor of Science, who had been banished from the clan, ostensibly for her beliefs and her unwillingness to blindly accept the will of "Lab."  Velociraptor of Science (played by Lindsay Nicole Chambers) roars onto the stage  with a ferocious charisma as she sings about the meaning of the word "Science."

The cast of only eight actors does a wonderful job of transporting the audience to a "Triassic Parq" full of singing and dancing dinosaurs (not to mention, a rambunctious, yet quiet "Mime-a-saurus," played by Brandon Epinoza).  The catchy and clever rock/hip-hopera music, and the flashy, fresh choreography (developed by choreographer, Kyle Mullins) bring this show full circle.  Accompanied by a live "Pianosaurus" (Zak Sandler, who also serves as the show's musical director), and percussionist (Jeremy Yaddaw), one can't help but fall for "Triassic Parq."  It's the kind of show that makes you wish you had been witty enough to write it, and one that you want to immediately see again as soon as it ends.  Three days after seeing this show, I still find myself singing to myself, "It's a Beautiful Day to be a Woman."

For an added treat, if you don't mind being poked, prodded, sat on or even laid upon, purchase an on-stage ticket and become part of the live action of "Triassic Parq."  Leave the little ones at home, as this sexy show is definitely R-rated.

You can purchase tickets to "Triassic Parq" on the show's website here, or try discount ticket site, broadwaybox (on-stage tickets are not available discounted).  Also on the show's official site, you can read more about the show's co-authors, Marshall Pailet (also composer and director), Bruce Norbitz, and Stephen Wargo, among other creative team members, as well as production members, and the full cast of characters.  Oddly enough, WGINY discovered this show via a targeted facebook ad, which brought me to the show's facebook page, which everyone should "like" if only for the daily dose of amazing dino humor.

"Triassic Parq" was the 2010 recipient of the New York International Fringe Festival award for Best Musical.

Metropolitan Opera Free Recital Series!

The Metropolitan Opera Takes the Stage at Central Park's Summerstage

If you enjoy opera and open air, you may be interested in the Metropolitan Opera's Summer Recital Series, taking place in NYC parks through August 9.  These FREE shows are the perfect way to introduce this timeless art to your "opera-curious" friends who aren't yet ready to (or just can't afford to) shell out the big bucks for the Met's classic full-length performances.  Even if you've been an opera lover for years, the series is a great way to kick back, picnic, and enjoy music samples from your favorite shows, as well as some you probably don't know.  Currently, three evenings remain in this six night series, which began on July 25 at Central Park's Summerstage, and continues on August 2 in Clove Lakes Park (Staten Island), August 7 in Jackie Robinson Park (Upper Manhattan), and August 9 in Socrates Sculpture Park (Long Island City/Queens).

WGINY caught the Central Park performance, a beautiful, romantic theatrical display, hosted by Danielle de Niese, who was also the evening's featured soprano.  I was immediately dazzled and amazed by the professionalism of the "rising" stars singing the likes of Puccini, Verdi, and Rossini, for free, on the stage before me.  De Niese, as the only female singer, had the luxury of a few fancy costume changes, from one black-tie gown to another, while the men (tenor, Dimitri Pittas, and bass-baritone, John Del Carlo) donned tuxes and dark suits.  Although this was in theory a concert, with a set list of approximately 17 individual and duet songs from more than 10 different multilingual operas, accompanied by pianist, Dan Saunders, the performers kept true to the character(s) they represented with each number.

The most enchanting moment was when, after a brief intermission, all three singers performed, and acted out, four selections from Donizetti's opera (Italian), "L'Elisir d'Amore," which de Niese explained translates to "Elixir of Love," and is a show that modern patrons would likely refer to as a romantic comedy.  The Shakespearean-style tale of love, magic potions, and the confusion they bestow, is intended to be lighthearted, and yet, I was utterly captivated by the story behind the music.

The show began at 8pm, just as dusk was settling in, but, due to park rules, was required to end by 10pm.  The time went quickly for the audience and performers alike, as De Niese realized as the night went on that there would not be enough time for the entire set to be followed as noted in the program given out at the start of the recital.  We were then treated to some "spontaneous" encore songs before the proverbial curtain closed (it's a park; there were no curtains...) and the lights in the house came on (okay, the lampposts surrounding the Summerstage area).  The event was so packed and popular that many were turned away from the actual Summerstage area (where the food trucks and wine are!) and had to spread out among the surrounding green to listen to the show, and perhaps hope to get a glimpse through the fence.

The performers and operatic selections on the remaining nights differ from what was presented in Central Park, but if the latter shows pack even a portion of the talent and wonder I was exposed to at that first recital, they will be a force to be reckoned with.  Prepare for Rossini's "Il Bariere di Siviglia," Gounoud's "Faust," Mozart's "Don Giovanni," and even some surprises from more "modern" theater, such as Rogers & Hammerstein's "Carousel."  Featured performers will be soprano, Deanna Breiwick, tenor, Alexander Lewis, and baritone, Edward Parks, accompanied by pianist, Vlad Iftinca.  All shows begin at 7pm and are rain or shine.

Booze Carriage Brings the Booze to You!

There's a new delivery guy in town... You can find him online, and he'll be at your door in 30-60 minutes.  He won't bring you Chinese food, or even pizza, but what he's got is something even more prized -- booze!

Booze Carriage is a new website for 21 and over Manhattanites living from 96th Street to Battery Park area on the east side, or 91st Street to Battery Park area on the west side (so, essentially, pretty much anyone living anywhere downtown, midtown, and much of uptown), looking for a quick way to access beer and spirits online.

The best part of Booze Carriage is that, unlike many other merchants that deliver alcohol (e.g. wine.com), the website works with local vendors to get your booze to you fast.  Forget worrying about whether you should order "express" or "overnight"... this booze travels to you instantly, promising to arrive at your door within 30-60 minutes of your order time.  Booze Carriage is premised on the idea that New Yorkers don't really like to wait... for anything. (Though, if you do need your order delivered at a specific time/date in the future, Booze Carriage can accommodate special delivery requests).

I had the opportunity to try out Booze Carriage recently.  What is most appealing is that the prices for beer, wine and liquor, are the same as you would find in any local bodega, and there is no delivery fee (although there is a $20 order minimum).  Just like actual NYC stores, however, beer and wine/liquor must be purchased separately, likely due to antiquated local laws that do not allow the same establishment to sell both beer and liquor.

Nevertheless, the site is very streamlined and easy to us, and delivery is available around the clock-- anytime day or night.  Before you can access the site, you must enter your full birthdate, proving that you are of legal drinking age.  You may then choose whether you want to enter the beer shop or the liquor store, and you can begin browsing the highly varied selections.  For beer, choose from domestic or imported bottles and cans, ales, ambers, ciders, lagers and more, from 4-packs through 24-packs (depending on the brand), as well as craft premium and super premium bottle selections from 12 through 32 ounces.  If wine or liquor are your pleasure, Booze Carriage also offers a wide variety of gins, vodkas, rums, and any other "hard" liquor you may desire, as well as a full variety of white, red, rose or sparkling wines and champagne.  The site will soon be offering sake and even kosher wines as well, among other specialty drinks.  If you're having a party, make sure to throw in some ice, which you can also find at both of Booze Carriage's sites.  I order a few cases of beer recently, and they arrived fast and fresh, and ice cold! (Okay, well, it took slightly longer than an hour, but it was also during a torrential rainstorm...).

In addition, although not advertised, Booze Carriage can deliver kegs on request.  Having thrown a house-party or two in my time in NYC, I know how important a service like this can be.  In general, Booze Carriage eliminates the need for multiple trips to the liquor/beer store, taking along five of your friends just to carry everything, and/or the need to rent a car for larger purchases.  This carriage does all that work for you!

Final analysis: if you just want a few beers for yourself and a friend, you may be better off running to the corner shop.  However, if you're seeking a larger order, perhaps hosting a party, or having more than a couple of friends stop by, heading out on a long weekend trip, or any other excursion that may call for $20+ worth of booze, Booze Carriage is a convenient, reliable option.  You can even order on your mobile phone, a great option if you're on your way home and want your booze to greet you.

*Booze Carriage logo used with permission

Limited Engagement of "A Streetcar Named Desire" Leaves WGINY Wanting More...Shows!

I am sitting in the second to last row of the orchestra, thinking to myself, "I don't remember Tennessee Williams being this funny."   I am at one of  the last runs of a limited engagement of "A Streetcar Named Desire" on Broadway.  Of course, overall, "A Streetcar Named Desire" is a strong drama, with pivotal, poignant moments that draw out the audience's antipathy for the male lead, "Stanley," played here by Blair Underwood.  A two-time Golden Globe nominee, according to Streetcar's website, Underwood (along with his perfect abs) makes his Broadway debut in this production at the Broadhurst Theatre.   


The play, which historically centers around Stanley, a Polish immigrant, his wife, Stella, (played by Daphne Rubin-Vega, who originated the role of Mimi in "Rent" on Broadway), and Stella's older sister, Blanche (Nicole Ari Parker), is re-imagined with a mostly black cast, and minute alterations in language and mannerisms of the characters brings the mid 1900s New Orleans' story in line with the times.  Originally written to take place in 1947, the scenes are, for an unexplained reason, portrayed as taking place in 1952.  Aside from some historical oddities (such as blacks and whites playing poker together and bowling on an integrated team), however, the characters remain believable, and the work-a-day, blue collar lifestyle in which Stanley and Stella are living appears, at first, to be in stark contrast to the luxurious plantation life that Blanche has been enjoying when she first drops in on the unsuspecting couple.  


Three's a crowd, and as Blanche becomes an indefinite houseguest in the small apartment in which Stanley and Stella reside, emotions quickly become tense.  Love, lust and lies intertwine, and Blanche begins to show she may not be as prim and proper as she presents.  Passion and desire begat slander, insults and rage.  


The story thrives on the interplay between Blanche's feigned naivete, Stella's real and innocent devotion to both Stanley and Blanche, and Stanley's poor temper, but it is Ms. Ari Parker's performance that literally brings the theater to a standstill.  In the final moments of the play, you could hear a pin drop as Blanche quite literally suffers her final fall from grace.  Ari Parker, as Blanche, succeeds in first winning the audience's envy, then currying its disfavor, and finally, its pity.  


The only disappointing thing about this show is that the limited engagement, which ended July 22, was not extended.  It seems that, more and more, "limited" doesn't really mean anything in theater-lingo, as it is not uncommon for Broadway and off-Broadway productions to be continually extended beyond their first announced closing date.  I had hoped, apparently to no avail (as it is now July 25 and no extension announcements have been made), that this show would continue for a bit longer, even as it claimed to have an end date, much like Blanche's welcome on Stella's couch.... 


**Update: According to Streetcar's facebook page, the production is going on tour to London.  Perhaps it will grace the New York stage again someday sooner rather than later... 

Hot Chip Throws a Crazy Dance Party at Prospect Park.

In the calm after last night's freak torrential rainstorm across the city, after most outdoor concerts had already been postponed, Celebrate Brooklyn! was officially opening its doors at the Prospect Park Bandshell, albeit over an hour later than planned, to welcome fans of British electro-pop band, Hot Chip, and local experimental musicians, Gang Gang Dance.

Although doors were originally slated to open at 6pm, with Gang Gang Dance beginning their set at 8pm, Celebrate Brooklyn! took to technology to keep up-to-the-minute updates on it website, as well as by twitter and text messages, to let fans know if/when the show would be on, with the final verdict coming around 7pm, that doors would open shortly and Gang Gang Dance would begin at 8pm, the crowd began to flow in.

Gang Gang Dance opens for Hot Chip at Celebrate Brooklyn!

During the first set, there were considerably less people than one would usually expect for a sold out show, but the rain likely delayed many.  Nevertheless, at precisely 8pm, Gang Gang Dance sauntered on stage to a Middle Eastern-sounding tune (some wearing headdresses...), including lead singer, adorable brunette, Lizzi Bougastos.  Today, their facebook page notes, "our rain dance worked!" And, boy, did it ever. These guys (and gal) set the synthesizers on fire, and the hardcore dance tunes quickly got the audience off of their picnic blankets and into the groove.

Hot Chip Rocks the Prospect Park Bandshell 

By the time Hot Chip was ready to go on, any spot even remotely close to the stage was sweaty, elbow to elbow, standing room only.  The sun had all but set as Hot Chip's bizarre beats, eccentric vocal harmony, and the raw, pure instrumental talent made for a thunderous stage entrance with "Boy From School".  With five percussionists and two guitarists (although at various times throughout the show, bandmembers swapped instruments) mixing together all manners of sounds, and colorful strobe-style stage lights pounding in sync with the music, Hot Chip had themselves a dance party worth of any NYC nightclub.  But for the dark, muggy sky above me, I almost forgot that I was at an outdoor venue, as the crowd erupted to the rhythm.

As an avid Hot Chip fan who knows many of their songs by heart, it was also simply cool to be able to match a face to each unique voice I'm used to hearing on their studio albums.  Hot Chip's set was streamed live on NPR last night, and you can listen to the concert here.

The Crowd Can't Get Enough of Hot Chip!

If you didn't get to experience the awesome electronic fun last night, you have two more chances this weekend before Hot Chip leaves the New York City area and, eventually, continues on its international tour, promoting their latest album, "In Our Heads".

Hot Chip will play Terminal 5 tomorrow night, Friday, July 20, and there are still tickets available.  Also, if you're willing to go just a bit out of the way, Hot Chip will move to Philadelphia's Electric Factory on Saturday night, July 21.  Both weekend shows will feature the Chromatics as the opening act.

Cool Bar With a "Vu" Still Remains Hot.

In May 2011, I recommended Mé Bar, on the 14th Floor of the La Quinta Inn, in Koreatown, as a "cool, laid-back bar offer[ing] a chill vibe unlike any other rooftop bar I've been to in this city." (Yes, I just quoted myself...). While Mé Bar closed its proverbial doors "forever" on September 30, 2011, and opened up a supposedly chic gastrobar around the corner (which WGINY has yet to explore), on October 1, 2011, new management opened up "Vu Rooftop Bar" in Mé's place.

Even on a cloudy day, this "Vu" thrills.

Fast-forward to 2012.... Summertime, open-air rooftop bars are in full force, and I recently had the opportunity to return to this particular rooftop and scope out the "new" scene.  I am happy to report that, except for the name, it doesn't really seem like much as changed, and that's a good thing!

The drinks remained inexpensive yet powerful, and the drinkers remain classy yet low key.  I didn't see the seasoned bartender, Julian, or the free popcorn, but Vu does sell small munches (e.g. Pringles), and those tending bar are friendly, helpful and knowledgeable.  The bar still opens at 5:30pm, and heat lamps come out if the weather gets too cold (not like that's going to happen anytime soon).  Plus, Vu now offers live jazz on Sunday nights from 7:30pm to 10:30pm.  Did someone say date night?

"Like" Vu on facebook here.

An after-work crowd gathers on an early Friday evening at Vu Rooftop Bar.

"Storm Large" Wreaks Havoc on Audiences, and They Enjoy Every Minute of It!

Guest Author for this post: Larry Rosenthal 
Edited by: Heather K. 

It's hard to explain the power, the beauty, the sensitivity, the anger -- all wrapped into one six-foot, sexy entertainment package known as Storm Large.  However, if you had caught her show last Monday night at Le Poisson Rouge, you would easily understand, enjoy and respect this artist's talents.  Don't make the mistake of missing her next time she comes to town.


Storm caught my attention almost ten years ago when I listened to her album, “Hanging With the Balls,” which she recorded with her band, “The Balls.”  It’s one of the most fun albums you’ll ever hear – she’ll sing one (or two) rock song(s) to the tune of another, such as in “Abba-Gadda-Davida”, where she mashes Abba’s “Take a Chance on Me” and “Dancing Queen” to the tune of Iron Butterfly’s “In-A-Gadda-Da-Vida.”  You may have seen her on television in 2006 when she powered her way to the final five contestants on the show "Rockstar: SuperNova," where the winner would front a band with Tommy Lee, Chris Navarro and other established rockers.  You can view Storm's complete discography here.

At the Le Poisson Rouge show, the “sexually omnivorous” Storm mixed it up with slow ballads, hard-rocking “love” songs and songs that touched both ends of the spectrum.  She played one of my favorites, “I Want You to Die,” which she explained is, perhaps ironically, about being in love –

I thought you needed me, turns out I needed you
Turns out the best thing to happen to you was losing me
Now you're doing fine, in fact you're doing great
I'm choking on my pride and on my hate,
Oh I can't wait for your demise 

I want you to die, because you’re alright

I want you to die, because you’re alright

Animated and personal, Storm told funny anecdotes in between songs. At one point, acknowledging that she was talking a little too much, she stopped in the middle of a story, admonished herself and leapt right into the next song.  One captivating story was about an after-show massage she received while on tour in Russia.  Let’s just say she got more than she expected, as her limited ability to speak Russian could not clarify or limit any awkwardness in the situation.

When Storm went into her vigantastic “8 Mile Wide” anthem, she brought 20+ friends up on stage to help her sing it, and then got the entire audience involved.  This song deserves to be played at the steps of Michigan’s State Capitol Building!

The Le Poisson Rouge show coincided with Storm’s birthday.  At the end of her set, a friend surprised Storm with a birthday cake and then insisted there be a spanking line.  Storm acceded and endured ten minutes of loving slaps on her buttocks, from friends, on stage.  With her cheeks reddening, I wondered if I was the only one who hasn’t yet read "Fifty Shades of Grey."  With my face lit up from the full moon, I noted that I had chosen my seat well.

Now let’s talk about the venue: Le Poisson Rouge is a multimedia arts cabaret in the Village that was founded by musicians, with a mission to “revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.”  It succeeds by hosting artistic shows as well as popular touring acts.  For example, this past Thursday, Glen Hansard (one-half of The Swell Season, and brainchild behind the 2006 indie movie-turned-best-Broadway-musical of 2012, Once), performed following five artists--writers, comics, actors and musicians, telling stories they forever connect with songs from their past.  Le Poisson Rouge offers memberships at various levels offering free or discounted shows, VIP seating, member-only events and other perks.  It’s a good venue to support, and you’ll be exposed a wide variety of performances.  You may even find yourself invited to some chic event, like Macaulay Culkin's iPod Dinosaur Birthday Party.

Spotlight on NYC Dueling Pianos

In the armpit of Times Square, on a nondescript, mostly deserted block, you will find NYC's only (as far as I know) dueling pianos bar, Tobacco Road.  On Friday and Saturday nights at 10pm, skulk past the divey-looking bar at the front, and make your way into the small back room where exposed brick peeks out over two juxtaposed keyboards and a drum set, just itching to be played.  Tickling the ivories for the "[a]ll-request rock & roll sing-along" are performers who can play a repertoire of 1000s of songs, like a "human jukebox," as the audience is told.  Although touted as a rock show, the whiter-than-you "Shake Rattle & Roll Pianos" performers will play anything from rock to country, showtunes, and even hip-hop, for the right price.

In addition to a $12 per person cover, and a two drink minimum, the audience is encouraged to make song requests accompanied by varying tip amounts.  Although the night can certainly get pricey fairly quickly, it is fun to know that any one person can use the power of the purse to control what songs are played.  If someone requests Britney Spears with a $15 tip, and you would rather hear Kanye West, request your preferred song with a $20 tip, and according to the unwritten rules of dueling pianos, Britney must immediately yield.

Each show lasts nearly three hours, during which time it becomes clear that the seemingly doofy, amateurish musicians running the show are actually quite talented.  Of course, when a song the whole room can sing along to comes up, the energetic, if not somewhat eccentric vibe of the show really picks up.  Some of the artists paid tribute to in a single night at "Shake, Rattle & Roll Pianos," may include Afroman, Billy Joel, Bon Jovi, Cee Lo Green, Eric Clapton, Guns & Roses, Jerry Lee Lewis, Journey, Lil' Wayne, Lynyrd Skynyrd, Meat Loaf, Poison, Spice Girls, The Who, TV Theme Songs, Broadway Showtunes, and whatever else the almighty $1, or $20, can conjure up.

WGINY tips: Reservations are recommended, even if you buy tickets in advance.  If you or your group are celebrating a special occasion, make sure to make it known, so that you can be embarrassed on stage or, at the very least, receive a free shot and a celebratory strong.  Keep in mind though, weak drinks at this show are served in small plastic cups at big prices, so pre-game at home, or at another bar, and you should be set with your obligatory two drinks.

Tickets for the Friday and Saturday night ongoing dueling pianos shows can be purchased here.

Summer of Movies 2012!

You already know all about where to go to find some of this summer's best concerts in and around NYC, but if you're looking for an outdoor cultural event that's a bit more low key, why not check out one of the plethora of FREE summer movie screenings across the city?

Last night, Bryant Park kicked off its annual Monday evening HBO Summer Film Festival with the 1960 horror classic, "Psycho."  Access the full Monday night schedule here.

On Tuesdays nights, beginning July 10, Red Hook Flicks (you know Red Hook, it's that part of South Brooklyn you never ventured to until Ikea opened up a few years ago) presents a season of "Scary Monsters and Super Freaks," at Valentino Pier, in Brooklyn, against the backdrop of Lady Liberty.  Movies like "The Lost Boys" and "Alien" may have you looking over your shoulder in the dark.

For more movies by the Hudson River, Riverflicks beckons you to visit Pier 63 on Wednesdays beginning July 11, for movies "for grown-ups," such as "Moneyball," and "Crazy, Stupid, Love," or Pier 46 on Friday evenings for family-friendly flicks, like the animated feature-film, "Rango."

Also on Wednesdays, McCarren Park in Williamsburg/Greenpoint will once again host its Summerscreen film festival, beginning July 11, and featuring such classics as "The Princess Bride."

It seems Wednesday evenings are the winners for movie screenings this summer, as the 2012 Outdoor Cinema series at Socrates Sculpture Park, in Long Island City, takes place on hump day as well, and features a film or films from a different country each week.  The festival kicks off on Independence Day with a series of shorts from the United States of America, of course.

On Thursday nights, head to Brooklyn Bridge Park, in Downtown Brooklyn, for the 13th annual Syfy Movies With a View series, beginning July 5 with "E.T.: The Extra-Terrestrial."

Even the Intrepid Sea, Air & Space Museum gets in on the summer film fun, with free movies on Friday nights.  Nothing but blockbusters such as "Spider-Man" and "Jurassic Park" will suffice for such a grandiose venue as Intrepid.

Embarking on its 10th year, the Central Park Conservatory Film Festival will run for five consecutive evenings, August 21 through August 25, rain or shine, just north of Sheep's Meadow.  Each year movies are chosen based on a specific theme, and this year's theme is "cult classic films."  Showing will be "The Big Lebowski," and "Animal House," among others.

For a daily calendar of all movies playing in NYC parks in particular, check out nycgovparks.org/events.

Some of the festivals I already mentioned in the previous music festivals post, such as River to River and Celebrate Brooklyn, also show movies throughout the summer.  And be sure to stop by the Summer on the Hudson Festival at Riverside Park, an annual arts and culture festival that features changing events daily, including music and film.

Finally, if you want a really different movie experience, and you don't mind paying, every summer the non-profit company, Rooftop Films, screens a series of poignant independent short and feature films in various venues across the boroughs.  Peruse the schedule and movie descriptions here.

**Thanks to contributor, Crystal Gaytan, reference website, gonyc.about.com, and, as usual, search engine google.com, for sources for this post. 

Summer of Music Festivals 2012!

The summer season of music festivals is upon us, and the New York City area is in for some real treats this year.  Here is WGINY's comprehensive user guide to all things Music Festival in and around NYC this summer.

If you're wondering where to start looking for a good summer concert, look no further than your local public park:

Central Park Summerstage features over 100 events in music, dance, theater and other arts.  If your style is classical, you may be interested in the New York Pops, folky folks may want to see Dawes or the Guthrie Family, hip hop fans may be won over by DJ ?uestlove or Das Racist, opera lovers can rejoice in recitals from the Met, comedy seekers can catch up with the Upright Citizens' Brigade ... and those are just a few of the free shows offered at parks throughout the five boroughs.  Access the full calendar of shows here.  If you have a few bucks to spare, and want to support continuing free shows, consider attending one of the "Summerstage" benefit concerts, such as Norah Jones on July 3 ($45).  (WGINY will be in attendance at the already sold-out Beach House concert on July 23).

Celebrate Brooklyn follows the lead of "Summerstage" in bringing varied music and arts performances to the masses, but specifically recruits acts for the Prospect Park Bandshell.  This year's free shows at "Celebrate Brooklyn" will include singer-songwriter, Laura Marling, groovy Balkan Beat Box, Latin dance troupe, Ballet Hispanico, indie up-and-comings, The Head and the Heart, and Wild Flag, among other acts.  On select "Movies and Music" evenings, musical-movies, such as the original 1979 "The Muppet Movie," will follow themed-performances to keep concert-goers on their toes.  Benefit concerts will include Dirty Projectors, Hot Chip, Childish Gambino, Wilco, Sigur Ros, and M. Ward.

Head over to Madison Square Park on any Wednesday afternoon, from June 20 through August 8, to take advantage of free weekly concerts during the park's Oval Lawn Series.  Grammy-nominated jazz vocalist, Gregory Porter, will be performing on June 27. (WGINY Tip: If you're hoping to grab a pre-show burger at Shake Shack, check the Shack Cam first to see how long the line will be.) 

While it's not a music festival, I can't very well post about must-see summer performances without mentioning Shakespeare in the Park.  This annual thespian festival brings stars of the stage and screen to perform classic works at Central Park's Delacorte Theater, completely free. The catch is that tickets are limited, and to snag one requires waiting on line in the wee hours of the morning, hoping to get lucky at the Box Office, or entering an virtual ticket lottery that rarely pays off.   

Just off the "coast" of Manhattan, Randall's Island, easily accessible by public transportation, car, ferry,  bike and shuttle, will play host to three exciting festivals this summer: 

On June 23 and 24, there's the Governor's Ball Music Festival.  Promising no overlapping sets (a blessing for avid festival goers used to itemizing a lineup and doling out exact time periods to spend at one set so as not to miss another), this festival brings Beck, Passion Pit, Modest Mouse, Fiona Apple, Explosions in the Sky, Chromeo, Devendra Banhart, Built to Spill, Santigold, Cults, and more, as well as DJ sets by James Murphy (formerly of LCD Soundsystem), Freelance Whales and other notable names.  Tickets are still available and start at $95, plus fees, for a one day pass.

Not to be outdone, Catalpa NYC will bring The Black Keys, Snoop Dogg, TV on the Radio, Girl Talk, Matt and Kim, Cold War Kids, Matisyahu, Hercules and the Love Affair, Zola Jesus, The Big Pink, and 20+ more acts for your listening pleasure to Randall's Island, July 28 and 29.

And, claiming that it will sell out by the end of June, the annual Electric Zoo, a tribute to and celebration of all things electronica and dance, returns to Randall's Island over Labor Day Weekend, August 31-September 2.  A three-day pass will set you back $299, but includes transportation to and from Randall's.  Day passes are also available.

Other Lesser-Known Events to Consider:

From June 14-21, Brooklyn becomes a mecca for indie music, art and film (as if it wasn't already) during the annual Northside Festival, geared towards "discovery" and showcasing "what's next".  Separate badges are needed to access various events, so make sure to scope out the lineups before you go.  Friday night's combined show with Of Montreal, Jens Lekman, and The Thermals, is sure to win some hearts.

If you grew up in NYC and miss the old CBGB days, don't fret, CBGB is back!  Well, in theory... From July 5-8, the CBGB Festival shines the spotlight on emerging artists at thirty venues around Manhattan and Brooklyn.  Some notable names to get excited about: Guided by Voices, Clap Your Hands Say Yeah, Wyclef Jean, Cro-Mags, Superchunk, The Pains of Being Pure at Heart, Reggie Watts, and hundreds of other bands.  A three-day badge for access to all music showcases will only set you back $79.  Prices get more expensive if you also want to attend film screenings and music panels.

On Thursday, June 21, for one day only, Make Music New York aims to turn the city into a performers' playground.  Find a free performance to attend, or break out your instrument and search for a "spontaneous" show to join, here.

Looking downtown, from June 17 - July 15, the annual River to River Festival highlights artists of all types, in music, dance, theater, visual art, film, experience, ideas, family, and process, according to the festival's website.  All events and exhibitions are free and are located in lower Manhattan.

If you enjoy concerts by the river, then three free shows at Pier 84, during the RiverRocks series, may intrigue you, on July 12, July 26, and August 9.  Dan Deacon, The Soft Pack, and the other alternative bands playing with the backdrop of the Hudson will surely rock the river.

I haven't heard anything about the Seaport Music Festival going forward this year, but there will be a free one-day festival at the Seaport, Pier 17, called the 4Knots Festival, on July 14, apparently sponsored by The Village Voice, and featuring an after-party headlined by the Black Lips.

Finally, if you're willing to take a short road trip, I would highly recommend these nearby East Coast adventures:

Firefly Music Festival Dover, Delaware, July 20-22

Experience all the fun and craziness of a camping festival without having to travel too far from home.  Headlining this festival are Killers, The Black Keys, and Jack White, with performances by Death Cab For Cutie, The Flaming Lips, Passion Pit, Girl Talk, OK Go, Cold War Kids, Fitz and the Tantrums, The Head and the Heart, Cults, Ra Ra Riot and 30+ more solid bands.  Tickets for the weekend-long event are $218.  Campsites for up to four people are sold separately, and cost an additional $145 for three nights.

Newport Folk Festival Newport, Rhode Island, July 28 & 29

If you're tired of being surrounded by rowdy college kids, and you're looking for a festival that is a bit more low key, but still showcases world-class acts, try this "folk" festival at Fort Adams State Park, in Newport, Rhode Island.  Be warned though, this isn't folk like the days of the Kingston Trio, rather this festival features acclaimed indie and alternative rock and folk musicians, such as My Morning Jacket, Iron and Wine, Alabama Shakes, Conor Oberst, and Tune-Yards, among others, as well as some yesteryear legends such as Patty Griffin and the Guthrie Family.  This is THE folk festival to be at, the one where Bob Dylan went electric back in 1965.  There's no camping on these festival grounds, but if you're looking for a bargain, try the Newport International Hostel.  As a special treat, energizing the early-bird crowd, Friday evening, July 27, Wilco will take over the park as a pre-festival opener.  Tickets for the Wilco show are still available, but you'll have to hit stubhub and craigslist if you want to score a weekend pass for the sold-out festival. 

**Thanks to the guys at musicfestivaljunkies.com for some festival tips.

Stay tuned... the festival fun doesn't have to end when the summer exits.  The CMJ Music Marathon and Film Festival will keep the vibe alive, October 16-20.

UPDATE: A trusted WGINY reader and avid concert-goer noted that I should reference the lineup for Williamsburg Park concert series this summer season.  This outdoor, waterfront venue always make for a good show.  Because everything needs to be branded these days, the official series title is now the Lacoste L!ve Williamsburg Park Concert Series, and will feature both free and ticketed shows, between July 17 and October 5.  Free OK GO and Sharon and the Dap Kings concerts? Yes, please, I mean, Okay, Go! 

Hone In On Four of Your Five Senses to Have a "Dialog in the Dark."

If you have 20/20 vision or better, consider yourself lucky.  If you have less than perfect vision, but your eyesight can be corrected with lenses or even minor surgery, consider yourself lucky.  Have you ever wondered what you are taking for granted?...The ability to read this post, for example.

"Dialog in the Dark," a unique new exhibition at South Street Seaport, leads visitors on a journey through mock ups of famed New York City locations in total darkness, giving patrons the opportunity to experience blindness firsthand. With the loss of the ability to see, it is amazing how quickly the other senses take over - smell, sound, taste and touch.

While waiting for the tour to begin, overhead video monitors go in and out of focus, demonstrating various forms of visual impairment.  Before entering the exhibition, visitors sign a waiver, and each individual participant is then given a walking cane that becomes a lifeline as a blind or otherwise visually impaired tour guide leads the way with only his or her voice.

In the first room of the tour, the aroma of fresh flora permeates the senses, birds can be heard chirping, and there is a flowing fountain of cold water that visitors can reach out and touch.  Can you guess what location this is supposed to be?  If I haven't already given it away, ponder on this...

The sensory tour next continues to mock ups of other NYC locations.  Step into a Fairway Market and learn how difficult a routine task like food shopping becomes when you cannot see.  How do you know what food you are selecting?  How do you know how much money you are taking out of your wallet when, to the touch, there are no distinctive qualities differentiating most U.S. currency?  How do you board the proper subway to get to and from the market?

"Dialog in the Dark" is a rare, ironically eye-opening experience.  The tour lasts approximately an hour to an hour and a half, and ends in a room designed to look and, more importantly, feel like, a diner.  Visitors sit around a booth with their tour guide and engage in a discussion about how they felt traveling around in total darkness, and how persons with various visual impairments conquer such challenges daily.  Many of the guides are happy to answer personal questions about how their visual impairment has impacted their lives.

As the lights slowly come on in the "diner," participants see the tour guide for the first time.  I took the tour myself recently, and was shocked to find that the images I had formed in my head of everything from what our guide looked like to the color and shape of the booth we were sitting in, were completely erroneous.  What a different perspective on life this exhibition offers.

Check hours and prices here or, if you are ready to purchase tickets, click here.

And be sure to visit some of the exhibition's partners:

Lighthouse International 
Dialogue Social Enterprise
Bodies: The Exhibition 
Fairway

Calling All Amateur Astronomers!

Jupiter, the Moon, and Venus, lining up in March 2012

Have you been following the dance of Jupiter and Venus across the night sky over the past few months?  If you have a wanderlust that extends beyond our globe, then you should pay a visit to the Amateur Astronomers Association of New York.  Where can you find them, you ask?  On a clear night, try checking out their free observation sessions across the five boroughs.  The "AAA" boasts several hundred members that participate in and help host frequent observation sessions, as well as exciting astronomy lectures and classes.

At last week's observing session at the High Line in Manhattan (which occurs every Tuesday night from April to October, weather permitting), WGINY was able to glimpse the rings of Saturn, the crescent phase of Venus, and the binary properties of the star, Castor, among other celestial objects, through the surprisingly high-powered telescopes set up by the "amateur" astronomers. Although membership is encouraged to support the organization, any visitor or passerby is warmly invited by AAA members to partake in observing sessions.  If you thought you couldn't see stars in New York City due to ambient light, you'll be shocked by what the AAA can show you, and tell you.  I have attended observing sessions in Manhattan and Brooklyn, and have learned so much (including how to best position my own travel scope...) just from a few moments of discussion with the interesting, knowledgeable astronomy-buffs who host these events.

And, if you want even more ways to seek out stars:
Columbia University Astronomy Outreach: lecture and stargazing sessions every other Friday.
College of Staten Island Observatory: public schedule varies.

Dana Parish Shines at "The Living Room."

A few years ago, I was listening to a "Yahoo! Music" station (well, at that time it was "Yahoo! Radio") while working, when suddenly I became captivated by a song from a powerful female vocalist I had never heard of before, Dana Parish.  After doing some research, I found that the song I had heard, "Not My Problem," was part of a debut album Parish had released in 2007, "Uncrushed."  Of course I immediately purchased the album, and it has become one I frequently listen to on replay and suggest to friends.

Whether I'm doing some soul-searching, having an introspective day, initiating a break-up, or finding myself on the receiving end of one, Parish's music is always easy to relate to.  For awhile, I was even quoting from the chorus of one of her songs, "Outta Time," on my personal facebook profile. (I can't seem to find an audio or video copy, but you can listen to a sample on amazon.com).

Parish has since played any number of shows in and around NYC, and WGINY was in attendance at her most recent show, on March 30 at "The Living Room." This was a special show for Parish, as not only was it her birthday that evening, but the show was being recorded for Sirus Radio (air date/time/station not available yet).  Striding in fashionably, and perhaps ironically, late, Parish took the stage and immediately began her show with my favorite facebook-quotable song, "Outta Time."  Standing on stage in a blue sequin shirt and jean skirt, she shone just as brightly as on her debut record.

Dana Parish Shines at "The Living Room"

In March, Parish released a new EP, "Nothin' But a Heartbreak."  Confident and sassy, with a voice that commands attention, and the stage presence to match, this unconventionally beautiful brunette (clearly, I have a thing for brunette singer-songwriters...) must surely know a thing or two about breaking hearts.

At the March 30 show, backed by band members on lead guitar, bass, drums and piano (an actual baby grand piano, not a keyboard!.. played by Andrew Hollander, who co-writes many of Parish's songs), Parish performed the first song off of her EP, "Superman," among others.  "Superman," which recalls a woman taking charge of her love life, is inspiring, and mayhaps hit-worthy.    

There they are! Even got the baby grand in this one.

Large stage... hard to photograph the whole band...

It is hard to describe Parish's varied genre.  She has a rich, full voice, and although the vocal range of her songs seems to stay squarely within her belt-y alto range (which I believe she definitely has the ability to step outside of...),  her songs seem to blend together rock, soul, and even country.  Parish displays a mellow style, with a hint of edginess thrown in at times, and this works well for her.

I don't have many criticisms for Parish, except to say that some of the harmonies that her band members joined in on, not present on her albums, did not seem to do much to improve the live show.  I would love to hear more of these harmonic efforts in the future, as long as they really fit the songs and are not forced.  Parish's voice is so powerful on its own, I'm not sure she even needs the backup...

I hope "Heartbreak" finally propels Parish, who has composed songs for Celine Dion and recent Asian sensation, G.E.M., into mainstream audiences.  She certainly deserves the recognition.  See for yourself at her next NYC live show, an intimate set at Rockwood Music Hall on Wednesday, May 9, at 9pm.

Check out Dana Parish online:
http://www.danaparish.com/
http://www.myspace.com/danaparish
http://noisetrade.com/danaparish
https://www.facebook.com/pages/Dana-Parish/183958908292957